11/6/09 11:12 pm
TOday had its ups and downs. I memorized some shit for CW all hard, and. . . did the Borderlands thing, which is not complete, but we NAILED the fucking costumes and now have some idea what we're doing (and finishing it on Sunday). Damon doesn't have the highest hopes, but regardless, I think we can nail it and it will come out ten different kids of awesome. It's incredibly well-written, too, which helps--- if only I could fuckin' act. I think it will be a good thing. We were all in good spirits, kind of, which also helped. I was frightened of the dynamic because I am frightened of everything, but it was fine.
I, personally, love the way it's written which means I will likely love the way it's done.
I have work tomorrow.
Stopped in at Josh's 22n'd birthday party for about an hour. It was radhats.
Damon and Miguel met my parents all official-like, and my dad was incredibly impressed and called them "nice gentleman" (lol). I actually didn't even know he was going to be home, but at least I no longer have to tip-toe around that certain, ambiguous, "Whooo. . . what?" dynamic that surrounds any time I want to go see somebody they haven't met.
"No, of course you can't. I have no idea who they are."
Reasonable for a parent to say, yes?
I feel terrible putting people I know and love into a slightly uncomfortable, pressurized situation but. . . fuck it. My dad loves them, and my mother loves everybody (because she is an angel).
--
So, before, after this, I'd written this crazy-stumbling, extra-long. . . thing. And I went and took a shower, re-thought, and I realized some stuff. Most of it comes down to resolving daddy issues. Fuck yeah.
So I realized that I put a special kind of importance on this dynamic between my father, Miguel, and Damon, right? Of course I did. And I realized that it was important because it was the deciding factor on whether or not I would be able to see these people who are so very close to me casually, and with support and permission.
There are two things that bother me about this.
One is the circumstantial nature of my father. The way I approached this meeting, the situation, the art involved, the time spent between seeds planted with my father and actions taken is something ridiculous-- not because of its existence, necessarily, but because it is different EVERY TIME. Every time I want to bring a new figure into my life that I have not known either for years or through Clay. It takes months for me to execute it correctly.
I do not mind Dad's expectations with my company-- that part is fine. I mind how volatile it is, how it changes every time, and how. fucking. long. it takes. Or at least, took, here-- especially, here, because damage was done. If the situation had been in one that did not involve an artistic medium, it would have failed. If I had not planted seeds and explained myself in certain ways over the past month, it would have failed. If anything about the situation had been false or unclear or ambiguous in any way in my proposal of it to him, it would have failed. If I had gone to him straight at any time previously to ask to see either one-- Miguel or Damon-- casually, he would have been a wary, nervous, and assuming, and would have shut down. THIS is what bothers me. THIS is the circumstantial part that fucking bothers me. new people do not come into my life very often--- all of my friends, I have known for years. It took over a month of name-dropping and a specific, artistic, clear situation for it to work at all. That. . . that's. . . what? He was so completely non-skeptical because of THESE THINGS and only THESE THINGS.
It bothers me that any time I want to build a relationship with somebody, I cannot be direct about it. Any friendship must has to be pussy-footed around in their own specific and different ways for them to be acceptable. I am patient; that's fine. But when the length of time and my behaviour surrounding it damages the friendship, it's terrible. You know?
It bothers the HELL out of me that next time I want to explore any sort of relationship with somebody unrelated to those ways I previously mentioned, I am going to have to go through A WHOLE NEW SET OF FUCKING MOTIONS in order to even APPROACH Dad on it, in order for him to open his fucking hears without setting off a thousand fucking alarms.
I wish I was not so scared, but there it is.
I'm glad the weight is off, that pressure-- I feel better. A door has opened that I've been building and nailing and repairing and avoiding.
God, I feel young. I hate remembering how young I am. I feel so fucking capable sometimes.
Clay just called me a jew. Or was it "jue" as in HAY JUE. . ?
Sweet. Bedtime.
Dear Miguel,
THANK YOU FOR EVERYTHING!
(Coffee, drivin'z, meeting my father once more, compassion.)
"Don't make yourself scarce."
Dear Damon,
Good God was it ever nice to see you.
I'm sorry.
Thank you.
Either of you-- sometimes I think that I do not make it clear how much I appreciate you for who you are and also what each of you does. They are worlds different, between you, sometimes-- but I appreciate the hell out of both of you. I do.
Clay is giggly, wild, spacey, and friendly tonight.
xD
He can tell the young kids
because he has been behind the counter
for thirty years.
He knows the look.
They are always softer,
they look around, there are false
and arrogant convictions in
their voices---
“Hi. CanIjustgetapack. . .”
and then they name their brand
and he does not ask them
for identification--- he can always
spot the undercover cops (still kids
themselves, it seems,
half the time).
But it’s the young kids,
their scared eyes and
brick fingers and
rushed hands and loud voices.
It’s the young kids,
and their veal lungs
that make him sad some mornings---
But he has spent thirty years
behind that counter
and is still the man
with the toothless
and genuine smile.
---
There's something hackneyed about it, but I like it, in a way. Maybe because it's that incorporation of CHARACTER I have been looking for lately, instead of whatever skewed emotions come out all over my notebook.